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A boy is torn from the streets of Ireland and thrown into the sea.
Izod never meant to become a sailor. Dragged aboard a Royal Navy ship by a press gang, he is ripped from his home, his name, and any path back to the life he knew. When the ship is lost to storm and fate, he wakes not in England, and not in Ireland, but among a scattered colony of lawless islands ruled by pirates, deserters, and men who no longer belong to any nation.
The pirate crew of the Laughingstock offers him a single bargain: work the deck, survive their world, and they will help him find his way home.
The Nickerbocker's Tale was first printed in 1767 in a tiny, soon-vanished run attributed to Collin Caulkry, an obscure poet whose sudden and unexplained death only fueled speculation around his work. Almost every copy disappeared. What remained were scattered quotations, partial transcriptions, and contradictory references passed between sailors, folklorists, and antiquarians who insisted the story had been real even when the evidence didn't behave like it.
This edition is the first attempt to rebuild the text from everything that survived: page fragments, marginal notes, conflicting summaries, and folkloric commentary spanning generations. The result isn't a modern rewrite. It's an archaeological reconstruction: a tale assembled from pieces, held together by the same gaps and distortions that kept it alive in the first place.
What emerges is a strange, dreamlike slice of early pre-Victorian folklore that follows a cast of a singing pirate captain, a young boy, an evil pirate-hunter, and a sea that listens too closely. It reads like a nursery rhyme written by someone who didn't understand children, joy, or mercy.
For readers of lost media, eldritch fiction, archival horror, and literary oddities, this is a document that should not exist—and yet does.